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【评论】非一般画布上漂亮的女孩

——当代中国艺术家张向明

2014-12-10 14:45:20 来源:艺术家提供作者:凤燕
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  伦敦国家肖像画廊总监Sandy Nairne:「作为一个肖像画家,无论当时是什么时尚,艺术家花费无数时间创作,让观众从画布上去认识到一个真实的人,是非常伟大的。」

  张向明的作品,透过仔细的绘画特征和具体的探索,它让我们思考人性的一面和现实中的真理。作品中的人物可以是艺术家感兴趣的模特儿,透过模特儿进行创造,反映各种不同人的面孔。他的肖像画,是艺术家和他的模特之间在画布上的关系以及现实的时间存在性。

  张向明早期作品,摄影般的油画,栩栩如生的女人脸孔上联系着现实的“外部”追求。照相般写实的风格是需要紧密和精确的绘画技巧,重点往往放在影像,没有精湛的实力技术是没法做到,张的油画里正反映他高水平的创作技术。他以文化大革命作为背景,创造了一系列的「文革后:新北京和上海女孩」。这系列被赋予虚有外表和鲜艳度的色彩,它是诱人的和引人注目,从而重新建立时下女性与社会之间的对话。

  后来,张的绘画技巧转向玲珑和精神性,他的作品,描绘出一个尽美优雅的脸孔,以及面部表情的表达形式。他运用戏剧般的光线,捕捉人物本身的美丽,柔嫩的苍白肉色却擦上玫瑰烟般红调。看他的画,我们会广泛地发现和寻找画布表面上放大的惊人的皮肤,尝试了解艺术家如何能绘画出如此精致的眼睛和嘴唇,隐约诉说画布里的故事。张向明运用人物脸孔来形像出绘画的盛宴,重新创作灿烂又丰腴的错觉。作品感受的是在亲密的皮肤下有什么东西在里面,什么是我们最初的触动。它还捕捉一种心态,时刻在生活中的意义,绘画的一刹那的强大存在感。

  从张向明的作品里,我看到它表达了一个人,一刻时光,一种存在状态,一种思想,一种向往,它已超越了绘画。

凤燕

亚洲艺术主管Tanya Baxter Contemporary 香港

  Not only a beautiful girl on canvas——Contemporary Chinese Artist, Zhang Xiaoming

  "As a portrait painter, whatever their stylish approach, to give viewers the chance to be introduced to a real person, who the artist studied over many hours, are very great. " Sandy Nairne, Director of National Portrait Gallery, London

  Zhang Xiaoming's painting, it presents the general truths and thoughts about our humanity which is through the most detailed, specific exploration of one individual. Zhang's work from people that interest him and he use them to invent his pictures with, this is reflected in the variety of individual faces. His portraits are the realization in paint of a relationship between the artist and his model that has developed time by time.

  In Zhang's early stage of works, photography like practice of painting from woman face was linked to the pursuit of a lifelike representation of "external" reality. The photorealist style being tight and precise, often with an emphasis on imagery that requires a high level of technical prowess and virtuosity to simulate and reflect. Zhang inspirited by China Cultural Revolution, he created a series of "After Cultural Revolution: New Beijing and Shanghai Girl". That series is given mimetic power and vividness; it was seductive and compelling to reproduce the dialogue in between the nowadays woman and society.

  Later on, Zhang's painting technique become exquisite and spiritual; his works come to include an amazing quantity of information about forms of the face and facial expression. He draws to the dramatically light, which he captured beautifully as it fell on pale flesh and rose smoke. In looking at his painting, we find ourselves scanning its extensive surface attending to the interpretation in paint of the magnified stunning of the skin, working out how Zhang has depicts eyes and lip. The face decomposes into painted banquet, recomposes into illusion of splendid fleshiness. Zhang's painting present the intimate and primary sense of what it is to be inside our skins. It also captures a state of mind, a sense of moment in a life, it is a strong presence of the moment he paints.

  Which I think from Zhang Xiaoming's works, it expresses a person, a time, a state of being, a thought, a longing, it is beyond the painting.

Wrote by Fonny

Asian Art Executive of Tanya Baxter Contemporary, HK office

December 2014

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